Thousands of recently discovered photographs document his reign
ANALYSIS | Derek R. Peterson & Richard Vokes | In 2015, researchers working in the storeroom at the Uganda Broadcasting Corporation forced open the lock on an unremarkable filing cabinet.
Inside were thousands of small wax envelopes, neatly arranged in rows, each containing a number of medium-format photographic negatives. In all there were 70,000 images. The vast majority of them date to the 1970s and the presidency of Idi Amin.
Amin is one of the 20th century’s most notorious dictators. In a recent PBS television series, he features alongside Kim Il Sung, Mussolini and other “Profiles in Tyranny.” In Uganda, the memory of the Amin years has been suppressed by a government keen to promote political amnesia. There are no memorials to the dead; neither are there monuments or other institutions that encourage deliberation over the Amin years.
These photographs offer one of the first opportunities for public reflection, and a small selection of them – about 150 images – are now on display at the Uganda Museum in Kampala. The exhibition, which we helped curate, is titled “The Unseen Archive of Idi Amin” and will be open until the end of 2019. For Ugandans and other visitors it is a place where a traumatic and divisive history can be assessed.
Amin’s aggressive populism
Idi Amin came to power in 1971 after overthrowing the government of Milton Obote, the president who had presided over Uganda’s independence from British colonial rule.
Obote had relied on state-run media to amplify his political power, and Amin inherited a powerful network of radio stations. The extensive reach of official media encouraged Amin and his officials to think of themselves as spokesmen for Ugandan commoners. Issues that had formerly been decided behind closed doors were discussed openly; matters that had once been determined by experts were made subject to the popular will. For some people it was hugely empowering. For others – especially for civil servants and other professionals – the Amin government’s aggressive populism was a mortal threat.
Photographers were a constant presence on the occasions when Amin and his officials addressed the public. For the whole period of his presidency, a dedicated team of photographers from Uganda’s Ministry of Information followed Amin around the country, snapping photos at press conferences, rallies, parties and other events.
As far as we know, very few of the photos they took were ever printed or published. The film was developed, and then the negatives were placed in envelopes, labeled and placed in a cabinet.
This had been, until now, an unseen archive.